Daniel Motz presents
Reliquaries for the Machine Age, a re-envisioning of discarded
serve as an
record of where
we’ve been, and who
we were. These
objects became the detritus of the Machine Age - building blocks in the bridge to new technologies and the digital revolution. Motz’s broad background in film-making informs his unique visual poetry, which takes form as tableaux of time - built of
components that were designed and mass-manufactured to produce
minute bits of work for very specific functions. His works become shrines to a by-gone era of machines and industry; they allow cogs, springs, wires, metallic and plastic minutia to transcend their former intended lives, while creating a platform in which they flourish as elements of art. Each piece makes a mark and creates a moment – in a way it could never communicate in its former use.
Frank Schroeder presents
Françafrique: Impulse, Desire & Decorum. In his North American debut exhibition, Schroeder’s work explodes with vibrancy of color and breadth of expression, coupled with a modernistic use of line and an evocative Neo-Expressionist style layered with a patterned use of numbers and text. The works tell intricately woven stories of biblical themes and personal experience blended with psychological and emotional confessions. They address his fascination with the rhythms of life and the notion of redemption. In these paintings, Schroeder struggles with the dichotomy of decadence and decorum. The tension in these pieces reveals his yearning for indulgence, but also for absolution. An unforgiving intellect probes the realm of the heart and soul.